The Alchemy of Ash
Introduction to the Ash Glazing process
the alchemy of ash
Thanks for joining me!
36 Countries. From Iceland to India, Chile to Canada, and South Africa to Sweden. I am so incredibly humbled by your presence.
I'm so happy with how it turned out. It's full of depth, value and real insights, and it brings you back to the simplicity and joy of glazing. So much so that in the future, this Masterclass will become a paid class. So this is one you'll want to watch closely.
That's why the recording is only available until Sunday October 4th, 23:59 CET. So don't miss it, and give yourself the time, the calm and the space to be fully present. To receive what I share with you, and to go through the process of making your very own glaze.
"It was brilliant to listen to your philosophy and approach to pottery. I think this will inspire me and show me some new breadcrumbs to follow!"
— K.
A complete deep dive, made simple
Dive Deeper into Natural Ash Glazes
And this is only the beginning. The beginning of becoming completely obsessed with it, just like me. Of taking your glaze journey from overwhelm, guesswork and not knowing what to do, to trusting and playing with your materials to create the most beautiful results, and to find out which materials to use and which to avoid for the health and safety of you, your family, and your customers.
That's exactly what we'll do together in the Natural Ash Glazing Course. The doors are now open exclusively for those who joined the Alchemy of Ash. If you missed the Live Masterclass, you can still book your ticket below to guarantee your spot for the Natural Ash Glazing Course.
spiicka ceramics
The Alchemy of Ash

Masterclass
About the Alchemy of Ash
Bring Back the Simplicity of Glazing
Somewhere along the way we came to believe glazing has to be chemical, something to fear — every imperfection something to fix rather than honour. We lost touch with what nature gave ceramisits at its very beginning and what we love in a chawan shaped by hands like Hayashi's or Tanaka's: the imperfection, the impermanence, the aliveness.
A Long Process of Trial and Error
A first step for anyone ready to work with natural materials and weave ash into their own practice — artistic, or fully functional.
